Tuesday, October 29, 2019

BETWEEN RIVERSIDE AND CRAZY - (Fountain Theatre) Review




Author Stephen Adly-Guirgis happens to be my favorite American playwright ever since I saw his “Last Days of Judas Iscariot” followed by other works. So, don’t miss it! In this Pulitzer-Prize-winning comedy, an elderly ex-cop in New York City, recently widowed, is facing eviction from his large rent-controlled apartment on Riverside Drive. 

He wants to make a home there for his newly-paroled son, but the landlord wants him out, the NYPD want to close a lawsuit, and the church is on his back. The Pulitzer committee called it, “a nuanced, beautifully written play… that uses dark comedy to confront questions of life and death.’ Director Guillermo Cienfuegos, another theatre favorite, warns that “The play explores issues of race, policing and gentrification…” subjects that are always potent in contemporary-realist Guirgis’ work. At the Fountain Theatre, 5060 Fountain Ave (nr Normandie), in Hollywood. Tickets: (323) 663-1525 or www.FountainTheatre.com


REVIEW/COMMENT: As always, Guirgis creates a world as real as the one we inhabit ourselves and, just as our clever minds have figured out where he is going with his story, he surprises us with a revelation about human relationships that shocks us even as we recognize that this is the way life is.  
In this play, all relationships, whether the obviously loving or perhaps the unconsciously disdainful, are suspect. All great drama gives us a deeper understanding of who we are and yet reveals how blissfully fragile the truth always is. I always look for this “Revelation” in modern theater, and rarely find it, but Guirgis again comes through in this honest family drama.

With brilliant direction by Guillermo Cienfuegos, the superb cast is headed by Montae Russell, enigmatic and yet straightforward, as the beleaguered retired cop everyone calls Pops. Matthew Hancock as his rebellious son, and Victor Anthony his quixotic ward, both personify today's troubled youth searching for meaning. Joshua Bitton as an ambitious yet honest cop, and Lesley Fera as Pops loyal former partner, bring the outer world and its brutal realities into this sheltered home. Liza Fernandez is licentiously daring as a church lady on a mission, and Marisol Miranda is delightful as a seemingly tempestuous temptress. MMM 

Thursday, October 24, 2019

NBY. November 2019. BETWEEN RIVERSIDE AND CRAZY,FIFTEEN MEN IN A SMOKE-FILLED ROOM, DEFENDERS, LOVE IN BLOOM, NEIL SIMON'S MUSICAL FOOLS.



BETWEEN RIVERSIDE AND CRAZY (Hollywood)
Author Stephen Adly-Guirgis happens to be my favorite American playwright ever since I saw his “Last Days of Judas Iscariot” followed by other works. So, don’t miss it! In this Pulitzer-Prize-winning comedy, an elderly ex-cop in New York City, recently widowed, is facing eviction from his large rent-controlled apartment on Riverside Drive. He wants to make a home there for his newly-paroled son, but the landlord wants him out, the NYPD want to close a lawsuit, and the church is on his back. The Pulitzer committee called it, “a nuanced, beautifully written play… that uses dark comedy to confront questions of life and death.’ Director Guillermo Cienfuegos, another theatre favorite, warns that “The play explores issues of race, policing and gentrification…” subjects that are always potent in contemporary-realist Guirgis’ work. At the Fountain Theatre, 5060 Fountain Ave (nr Normandie), in Hollywood. Tickets: (323) 663-1525 or www.FountainTheatre.com
FIFTEEN MEN IN A SMOKE-FILLED ROOM (Beverly Hills)
In this timely play, The Republican National Convention is in full swing with a certain candidate feeling overwhelmed by the prospect of being the nominee for President. No, it’s not next year folks but set back in 1920 and Warren G. Harding is the one in question. His problems are an overly ambitious campaign manager, a superstitious wife, a star-struck mistress and what he fears is the frightening pull of inevitability. The play explores the extent to which fate appears to control our lives – but does it? Written by Connecticut-based writer Colin Speer Crowley and Los Angeles awardee Jules Aaron. Produced by David Hunt Stafford for Theatre 40. At Reuben Cordova Theatre, 241 S Moreno Drive, Beverly Hills. Tickets: (310) 364-0535 or www.theatre40.org. Free parking.
DEFENDERS (Hollywood)
This drama by Cailin Maureen Harrison is set in World War Two when three American G.I.’s are shipwrecked on Hrisey, a remote island off Iceland’s northern coast. With missing weapons, few supplies and a broken radio they must rely on the locals for survival. However, they are faced with the islander’s ancient fears of loss of culture, vulnerability of their women and suspicion of foreign invaders. Directed by Reena Dutt and produced by Racquel Lehrman of Theatre Planners for Pandelia’s Canary Yellow Company. At Broadwater Black Box, 6322 Santa Monica Blvd, Hollywood. Tkts: (323) 960-5770 or www.Onstage411.com/defenders
  LOVE IN BLOOM (Santa Monica)
For all you Shakespeare aficionados this feel-good, bawdy musical comedy returns for another visit in tribute to the wenches and rogues of the Bard. They promise magic and mayhem, fops and fairies, mistaken identity, romance and humor, all in homage to Shakespeare himself, pantomimist Marcel Marceau, Commedia dell’arte and other classical theater. Written and directed by Evelyn Rudie and Chris DeCarlo. Reservations at www.santamonicaplayhouse.com/loveinbloom
NEIL SIMON’S MUSICAL FOOLS (Atwater)
Already running to much laughter, here is the world premiere adaptation, by Neil Simon, of his play “Fools” where he’s credited with book and lyrics along with Phil Swann and Ron West. It’s set in the Ukraine in 1893 when a young tutor arrives after a harrowing journey. Soon he finds that the village is cursed, with every resident as dumb as a rock, but can he save himself and the village too? Presented by Open Fist Theatre Company at Atwater Village Theatre, 3269 Casitas Ave, Atwater. Tkts: (323) 882-6912 or www.openfist.org. Free parking.


NBY.October 2019. SOLID LIFE OF SUGAR WATER, WRONG KIND OF PEOPLE, MY WIFE YOUR WOMAN, EDGAR ALLAN (POE) SHOW, CONSTANTINOPLE



THE SOLID LIFE OF SUGAR WATER (Downtown)
In this intimate portrait of a marriage, by playwright Jack Thorne, a deaf couple’s relationship is revealed through their love-making. As always, in their signature performance style, Deaf West combines American Sign Language with spoken English. My colleague Anibal Aprile came away raving about this adult-themed show and here are some of his comments: “Thank you for such an unforgettable evening at the theatre. It was my first time at Deaf West Theatre and you have to be a great director to create such interaction between the four actors. Tad Cooley and his ‘voice’ Nick Apostolina, Sandra Mae Frank and her ‘voice’ Natalie Camunas, are all superb in their characters, plus their astounding synchronization in movements and interpretation. This magnificent show made me and the audience vibrate on the seats.” Directed by Randee Trabitz. At Inner-City Arts, 720 Kohler Street, LA 90021. Tkts: (818) 762-2998 or www.deafwest.org.
THE WRONG KIND OF PEOPLE (Downtown)
After a three day Paul Robeson Theatre Festival, celebrating 25 years of presenting challenging and meaningful shows, the Robey Theatre Company is launching the next 25 years with this provocative new play by George Corbin. Set in LA in the early 1940’s, a young African-American law student rents a room in the downtown Guardian Hotel. He is assigned the rundown “Colored Room” but needs the privacy to prepare for his Bar Exam. However, when he’s interrupted by people seeking to gain entry to the hotel through his window, he finds this excellent preparation for his future as a lawyer. Developed in the Robey Playwrights Lab under the auspices of Artistic Director Ben Guillory. At Los Angeles Theatre Center, 514 Spring Street, LA 90013. Tkts: (866) 811-4111 or www.thelatc.org.
MY WIFE YOUR WOMAN (North Hollywood) 
A military soldier, stationed in Iraq for the past two years, returns home to discover his wife has been unfaithful and is sharing their bed with someone else. When she decides to break off with the mysterious party things begin to spiral out of control. Sounds like a serious drama, but writer-director Mykel Coleman assures me “it’s a musical play full of suspense, twists, turns, laughter and dynamic singing.” Saturdays at MKM Cultural Arts Center, 11401 Chandler Blvd., NOHO. Tkts: https://MCSLive.net or call (818) 570-0143.
 THE EDGAR ALLAN (POE) SHOW (Studio City)
Just in time for Halloween, Ari Stidham is bringing his one-man musical-comedy Edgar Allan Poe Show to town. With great silliness he re-enacts scenes and recites lines from favorites The Raven, The Tell Tale Heart, Fall of the House of Usher and many more. Written, directed and performed by Stidham, with his own funny original songs, this show is suitable for all ages. So bring the grandkids in their Halloween gear! At Two Roads Theatre, 4348 Tujunga Ave, Studio City. Box Office opens ½ hour before show-time. Tkts: https://edgarallanshow.com.
CONSTANTINOPLE (North Hollywood)
This timely play is a dramatization of events during the Armenian Genocide when a female journalist and a guerrilla fighter coordinate a mission for the recovery of abducted women and children. Crossing into Armenia becomes nearly impossible as the political situation around them takes a darker turn. An entire nation teeters on the brink of displacement. Written and directed by Aram Kouyoumdjian and produced by Vista Players. At Secret Rose Theatre, 11246 W Magnolia Blvd, NOHO. Tkts: (818) 538-4911 or www.itsmyseat.com/Constantinople.