DRIVING MISS DAISY. – 2014 – Australia
Why? Because it stars Angela Lansbury and James
Earl Jones! Yes, they are what makes this so special. As Lansbury, 88,
commented at the time, “The great thing about theatre, you see, is that it’s
all about illusion. At my age, I’m too old to play a 72-year old in the movies.
But on stage with makeup, I can!” Said Jones, “I have two favorite
characters, Lennie in “Of Mice and Men” and the chauffeur in “Driving Miss Daisy.”
They’re both men without language: they have to start from scratch when it
comes to communicating. As a result, what they say comes from deep within.”
Inspired by the actual long-term relationship
between playwright Alfred Uhry’s Jewish grandmother and her African American
chauffeur, this classic play is timeless, and an ultimately hopeful meditation
on race relations in America. It’s told through the complex relationship
between a 72-year old woman, and a 60-year old man, in Atlanta, throughout the
Civil Rights Movement. It’s over 30 years since it was written but its
examination of issues around race still resonate.
“For a salesman, there is no rock bottom to life. He don’t put a
bolt to a nut, he don’t tell you the Law or give you Medicine. He’s a man way
out there in the blue, riding on a smile and a shoeshine.” This is dialogue from
Arthur Miller’s 1949 Pulitzer Prize winning play, that I have seen with numerous
actors in the lead role, and even acted in once in Summer Stock. If you’ve
never seen this deeply moving play, now you can see a live performance with the
stars from the original Broadway cast.
When CBS presented a filmed adaptation of Miller’s classic drama,
they brought back the two original leads: Lee J. Cobb as Willy Loman and
Mildred Dunnock as his loyal wife Linda. This version of the play was adapted
by Miller himself, and runs 100 minutes, with no substance lost in the changes.
Directed by Alex Segal, it was filmed live after several weeks of rehearsals
and still has the powerful effect of the original.
In the play, Willy, who has been a salesman for 34 years, is
forced to face the crushing disappointments of his past, especially the loss of
the respect of his son Biff. George Segal gives a strong dramatic performance
as this favored son, and James Farentino is his cynical brother Happy. One
surprise is young Gene Wilder, comical but sensitive as the goofy Bernard.
This production received 11 Emmy nominations with the result of winning
three Primetime Emmys, as well as Director’s Guild of America and Peabody Awards.
In addition to being Emmy nominated for their awesome performances, both Cobb
and Dunnock were also both nominated for a Grammy Award in the category of “Best
Spoken Word Drama Recording.”
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