In
this dynamic play, Irish author Marina Carr gives life to the familiar lines from
Congreve: “Heav'n has no Rage, like Love
to Hatred turn'd, Nor Hell a Fury, like a Woman scorn'd.” Set in a small
town in Ireland, Carr focuses on the Gaelic love of language, myth and
superstition. Hester is a magnificent woman who had taken in a callow youth,
Carthage, and transformed him into a man of ambition and intelligence. The fact
that he is now fed up with her domination and seeks to advance himself through marriage
to an heiress enrages her. In her mind she owns him and is determined to ruin
him. On the surface it’s a modern retelling of Medea, but Carr gives this
vengeful ex-wife a deeper motive for her final actions. Hester has a tragic
back story, a painful secret, with a sorrow that time has never abated.
Kacey
Camp is magnificent as the wrathful Hester; Joseph Patrick O’Malley suitably
enraged as the harassed Carthage; Talyan Wright is adorable as their young daughter
Josie; Barry Lynch is imperious as the local seigneur then tender as a loving
father; Casey Kramer is wonderfully eccentric as a blind but far-seeing sibyl; Erin
Barnes is touching as the troubled bride, and Rebecca Wackler is delightful as
the chatty mother-in-law. Fine in smaller roles are David Pavao as an enigmatic
visitor, Erin Noble a concerned neighbor, Shelley Kurtz a tipsy priest, Aidan
Bristow a lost ghost and Jacob Lyle a cool-headed waiter.
Under
Sean Branney’s superb direction the actors rise to Shakespearean levels of
emotion. The wind-swept scenic design by Arthur MacBride is well lit by Bosco
Flanagan with imaginatively evocative costumes by Michéle Young.
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