In this intriguing tale, a British playwright takes
a classical French farce and makes it into a modern study of the
search for love, versus the lust for money. A stark set of angling steps, a
magnificent cast at full throttle, and witty dialogue, make this a must-see.
Is it wise to unmask a scoundrel by pretending to be what you’re not? This is a
question author Pierre de Marivaux asked back in 1724 and, under Martin Crimp’s
modern twist, resounds today.
There are many false servants in the play, because
nearly everyone plays a deceitful role. Chastity Dotson is an heiress who
impersonates a man-servant to gain the confidence and friendship of her unknown
betrothed. Christian Leffler is the lothario
who plays a dangerous game thinking his opponents are merely foolish women. Barry
Del Sherman is a beggarly aristocrat who knows that without money good manners
amount to zilch.
Dorie Barton is the Countess, a rich lady too easily
duped by sweet words and intimate sexual promises. Mathew Bazulka is the boyish
servant willing to betray his master for money and sexual favors. Cody Chappel,
is a balladeer, singing about love but with a twist of irony since when the
truth comes out all dreams are dashed.
Directed by Bart DeLorenzo with style and mischievous
flair. Elegant set by Frederica Nascimento, and effective sound by John
Ballinger - who composed the music to lyrics by Crimp and Chappel. Opulent costumes
by Leah Piehl.
An Odyssey Theatre Ensemble and The Evidence Room
co-production. At The Odyssey Theatre, 2055 S. Sepulveda Blvd., through Sept 6.
Tickets: (310) 477-2055 or www.odysseytheatre.com.
Photos by Diego Barajas & Sharrow Photography.
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