We all have
our luminous memories of Marilyn Monroe but this lovely evening spent with her
won’t diminish the glow. If you are
seeking the answer to what makes a Goddess you may not find it here, but you
will get some insight into what makes a Star.
Like all great film actors, Marilyn radiated a
magic all her own. This dramedy with
songs fleetingly captures Marilyn – then she’s gone – but Kelly Mullis deserves
applause for her delightful, loving impersonation. The charming, ebullient, angry child is all
there and told directly to us by the impish Mullis.
Monique Marissa Lukens is persuasive as domineering acting coach Natasha Lytess, but too caricaturish as Paula Strasberg. As American blond stripper Lili St. Cyr, Katarina Radivojevic is totally miscast but makes up for it by being impressively sensuous and daring. Jamie German is totally believable as a cold manipulative Bobby Kennedy and also as a dude looking for an easy lay.
Monique Marissa Lukens is persuasive as domineering acting coach Natasha Lytess, but too caricaturish as Paula Strasberg. As American blond stripper Lili St. Cyr, Katarina Radivojevic is totally miscast but makes up for it by being impressively sensuous and daring. Jamie German is totally believable as a cold manipulative Bobby Kennedy and also as a dude looking for an easy lay.
As we are drawn into the play, the
question of where authors Willard Manus and Odalys Nanin got their facts
becomes relevant. I’ve always considered
many of the stories they chose, from the tabloids and other sources, unreliable,
e.g. the number of abortions she had; the boy child she gave birth to at 14 and
gave up; the myriad lovers famous and unknown; the bar pickups where after sex
she revealed mischievously “You just f***** Marilyn Monroe”; the numerous lesbian
affairs (when did Marlene Dietrich have time to make films?); the Kennedy
brothers cruel manipulation of her. Were
these facts or rumors? Some probably
true, but others questionable. Happily,
the question behind her untimely death is left ambiguous. That’s for us to decide: Suicide? Accident?
Murder? Manus and Nanin leave that
answer up to us.
Theatre, as we know, has its own
rules and being entertaining is more important than biographical facts. If you want history, read a book! Even if we’ll never learn her true secret, what
we’ll always have are the Marilyn photos – thousands of wondrous images of a
beauty we cannot fathom. Also there’s
that riveting onscreen presence, the memorable film roles, that voluptuous yet
strangely chaste body, the tender gaze of a lost child, and the sense of wonder
she brought out onscreen.
Besides co-authoring, Odalys Nanin expertly
produced and directed this uninhibited salute to an erotic life, while lighting
design and video clips by Carey Dunn expand the tiny stage to full life. At Macha Theatre, 1107 N. Kings Road, West Hollywood,
through April 21. Tickets/Information: www.plays411.com or www.machatheatre.org or phone (323) 960-7862.
Review by Morna Murphy Martell, former Broadway Critic for The Hollywood Reporter
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