It’s not often you see a
full grown man transform into a large thick-skinned mammal before your very
eyes but mastermind director Guillermo Cienfuegos makes it happen. In fact,
from all accounts he pulls this trick himself, onstage, in this madcap drama by
playwright Eugene Ionesco.
It’s
about a delightful French town where friendly locals are faced with a dilemma –
whether to hold on to their humanity or be sucked into the miasma of becoming
unfriendly beasts! As these characters become rhinos we can see the contentment
in embracing a herd mentality.
Although written in 1959,
it’s a prescient view of today where it appears that standing ones ground for
humanity is under attack. Ionesco‘s alarmingly absurd tale grew out of his own youthful
experience in Romania when he saw people drawn into acceptance of the rise of
Fascism.
To quote him: “When people no
longer share your opinions, when you can no longer make yourself understood by
them, one has the impression of being confronted with monsters - rhinos, for
example. They have that mixture of candor and ferocity. They would kill you
with the best of consciences.”
The highly impressive cast
is headed by Keith Stevenson as the bewildered holdout and Alex Fernandez as
his loquaciously demonic friend; with dynamic support from Peter Elbling, Jeff
Lorch, Carole Weyers, Melissa Weber Bales. And, in multiple roles, Brad
Greenquist, Sarah Zinsser, Robert Lesser, Sarah Brooke & Dalia Vosylius with Melinda
West on accordion.
At Pacific Resident
Theatre, 703 Venice Blvd., Venice, through September 10. Tickets: (310) 822-8392 or www.pacificresidenttheatre.com. Free Parking.
Photos by Vitor Martins.
Photos by Vitor Martins.
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