In this three-part
saga, playwright Sarah Ruhl’s kaleidoscopic view of life is revealed through
the backstage romancing, social conflicts and political shenanigans of
different historic eras.
In the show, three different acting troupes are staging a pageant on the death
of Christ in 16th century England, then Nazi Germany,
and finally 20th century South Dakota. In these enactments locals of the time squabble, seduce each other and rehearse the crucifixion, seemingly oblivious
to the threats looming via their government leaders.
Illustrious visitors to the pageants include the warlike Catholic-persecuting
Queen Elizabeth the First, the high-booted snarling Adolf Hitler, and the chirpy
half-distracted Ronald Reagan. It’s a heavy show, told as a Music Hall romp, fascinating to watch but in the end leaving this audience member wondering what it all adds up to. It's a bleak picture where
lust gives way to suicide, homesickness to betrayal, and patriotism to madness.
Under Bart
DeLorenzo’s fluid direction the large ensemble smoothly transition from loutish
peasants (1570), to cynical Germans (1934) to naive Americans (1984).
The three
icons of Queen, Dictator and President are brilliantly impersonated by Shannon
Holt, who makes you laugh as your blood runs cold. Christian Leffler is dominating as a man
robbed of his innocence and his beloved wife by an unnamed war, Dorie Barton portrays Mary
the Virgin as a hot little number, while Daniel Bess is a virile Christ. Also notable are Dylan Kenin, Amanda Troop, Bill
Brochtrup, Brittany Slattery, John Charles Meyer and John Prosky.
Set is by Frederica Nascimento, lighting
by Michael Gend, music and sound by John Ballinger,
and costumes by Raquel Barreto.
At Odyssey Theatre, 2055 S. Sepulveda Blvd., West LA through March 16. Tickets: (310) 477-2055 or www.OdysseyTheatre.com.
At Odyssey Theatre, 2055 S. Sepulveda Blvd., West LA through March 16. Tickets: (310) 477-2055 or www.OdysseyTheatre.com.
Reviewed in the
March issue of NOT BORN YESTERDAY.
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