A modern family are preparing
Thanksgiving dinner, with the mother cooking, daughters squabbling, grandma pleading, father hiding, guests
quibbling, all an amusing preamble to the ritual gathering of relatives. Still,
the event takes on a strange hue when a handsome man in a smart grey suit enters
and hovers unseen by all but the mother. Is this spectral shadow a former
lover, a dear departed, or merely a figment of her overactive imagination?
Shockingly,
in playwright Emilie Beck’s intriguing drama,
he turns out to be a living metaphor for the tragedy that will rend this family
to their depths. He is the destroyer that robs the mother of her capacity to control her body and her life. To tell more will deprive viewers
of the chance to experience the emotional power of this play and decipher its
mystery themselves.
Taylor Gilbert
is indomitable as the mother who will not surrender her fighting spirit; Dani
Stephens is delightful as a surly young girl on the brink of womanhood; Hannah
Mae Sturges is adorable as a pliant teenager; Bryna Weiss is excellent as
patient grandma as is Kevin McCorkle as the loyal husband; Jack Millard is
seductive as the unwanted gentleman caller, and Anna Carini and John Cragen are
a delight as reluctant invitees.
Director Scott
Alan Smith keeps a fine balance between realism and expressionism. Multi-level
set is by Stephen Gifford, with lighting by Derrick McDaniel, sound by David B.
Marling and costumes by Jocelyn Hublau. Haunting film segments are by Darryl
Johnson, with original music by Drew Price.
A Road Theatre Company world premiere production at
the Historic Lankershim Arts Center, 5108 Lankershim Blvd., North Hollywood, through May 24. Tickets: 866-811-4111 or www.RoadTheatre.org.
Also reviewed in the May issue of NOT BORN YESTERDAY.
Also reviewed in the May issue of NOT BORN YESTERDAY.
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