This highly dramatic play,
by Laurel M. Wetzork, takes us into the minds of those who believed it possible
that Hitler would win the war. Based on fact, it takes place in 1941 when
America was roiled by conflict between those demanding the US enter the war and
those determined to stay out of it.
A wealthy heiress and her pro-fascist
husband, living in Hancock Park luxury, are building a Utopian complex on 50
acres in the Pacific Palisades. This will be a residence for victorious Nazi
officials, even a West Coast home for the Führer himself. As the
building plans are in disarray, they call in the top Architect in Los Angeles to
take over. When he turns out to be an African American with a sharp eye for hypocrisy
the racist plans also fall apart.
It’s a tour-de-force for Meredith
Thomas, as the heiress, who gains our sympathy because it’s clear that propaganda
has her believing Nazism has a benign intent; David Jahn is chilling as her
scheming husband who sees himself glorified when the Nazi’s win; Regi Davis as
the master builder smoothly negotiates the fine line between modesty and
cynicism; Peter McGlynn is affably sinister as the German spymaster; Steve Marvel
is loutish as a homegrown fascist; Ann Hu is forbearing as the racially-insulted
maid from China, and Alex Best is enigmatic as a servant on a mission.
Directed by Laura
Steinroeder for full theatrical effect. Produced by Debbie Bolsky of Athena
Cats, in association with Racquel Lehrman and Victoria Watson of the ubiquitous
Theatre Planners.
Photos by Ed Krieger
At Hudson Mainstage, 6539
Santa Monica Blvd. LA. Tickets: 323-960-4412 or www.blueprintforparadise.com
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